Peter Mullan, News, Pictures, Buzz

Source: Google
Peter Mullan
  Here's the unsung history of downtown
Here's the unsung history of downtown Austin's famous Symphony Square  CultureMap AustinToday's Symphony Square is home to both the Austin Symphony Orchestra and Waller Creek Conservancy, but the area's fascinating legacy is often overlo.
Posted on 17 December 2018 | 9:43 am
  All-Ireland League: Results Round-Up - Irish
All-Ireland League: Results Round-Up  Irish RugbyLansdowne's try-scoring number 8 Willie Fay tries to break away from Dublin University hooker Dan Sheehan during the sides' Division 1A encounter at College ...
Posted on 15 December 2018 | 9:06 am
  How Netflix Shaped The Darkest Jungle Book
How Netflix Shaped The Darkest Jungle Book Story, Ever | CBR  CBRMowgli: Legend of the Jungle gives audiences the darkest Jungle Book adaptation ever by focusing on the theme of death.
Posted on 14 December 2018 | 5:01 pm
  The Ending Of Mowgli: Legend of the Jungle
The Ending Of Mowgli: Legend of the Jungle Rewrites The Jungle Book As You Know It  Refinery29Though they have the same characters, Mowgli: Legend of the Jungle significantly differs from its Disney counterpart.
Posted on 14 December 2018 | 5:16 am
  The 25 Best Television Episodes of 2018 -
The 25 Best Television Episodes of 2018  The AtlanticStandout picks from Atlanta, One Day at a Time, The Terror, Homecoming, The Great British Baking Show, and more.
Posted on 14 December 2018 | 3:00 am
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Source: Yahoo
Peter Mullan
  The 10 Best Musical TV Moments of 2018 -
The 10 Best Musical TV Moments of 2018  VultureFrom The Americans to The Assassination of Gianni Versace, let's count down the year's best TV needledrops and musical moments that belong on your playlist.
Posted on 12 December 2018 | 10:20 am
  Mowgli: Legend of the Jungle's Politics Are
Mowgli: Legend of the Jungle's Politics Are Its Greatest Strength  CBRThe greatest strength of Netflix's Mowgli: Legend of the Jungle lies in its politics, which are incredibly relevant today.
Posted on 12 December 2018 | 6:32 am
  Nominations for the 25th Annual Screen
Nominations for the 25th Annual Screen Actors Guild Awards  VitalThrills.comNominees for the 25th Annual Screen Actors Guild Awards for outstanding individual, cast and ensemble performances in film and television of 2018, as well as ...
Posted on 12 December 2018 | 1:58 am
  Mowgli: Legend of the Jungle – Netflix -
Mowgli: Legend of the Jungle – Netflix  What's On TVDirector Andy Serkis brings us a dark and brooding version of Jungle Book.
Posted on 11 December 2018 | 4:01 pm
  'Mowgli' Cast: From Bhoot the Albino Wolf to
'Mowgli' Cast: From Bhoot the Albino Wolf to the Hyena, Here's Who's Who in Netflix's Movie  DeciderMowgli: Legend of the Jungle is just the latest lavish adaptation of Rudyard Kipling's The Jungle Book. The original book was actually a collection of short stories ...
Posted on 10 December 2018 | 1:07 pm
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Source: Bing
Peter Mullan
  Downtown's Waller Creek transforms for
Downtown's Waller Creek transforms for monumental international art project  CultureMap AustinA monumental new public art project will take up residence in Waller Creek next spring. "New Monuments for New Cities," a joint art initiative from.
Posted on 10 December 2018 | 8:45 am
  Mowgli: How Andy Serkis captures the beast
Mowgli: How Andy Serkis captures the beast in Benedict Cumberbatch  CNETSerkis tells how he used high-tech filming techniques to transform Cumberbatch, Cate Blanchett and Christian Bale for his version of The Jungle Book.
Posted on 7 December 2018 | 12:00 am
  The worst trend of the year was Blank Check
The worst trend of the year was Blank Check TV  EW.comThis week, TV Critics Kristen Baldwin and Darren Franich published their respective lists of the 10 best TV series from 2018. That also meant sifting back through ...
Posted on 7 December 2018 | 12:00 am
  Netflix's Mowgli: Voice Cast & Character
Netflix's Mowgli: Voice Cast & Character Guide | ScreenRant  Screen RantDirector Andy Serkis has assembled an all-star cast of voice and motion capture actors for his new movie, Mowgli: Legend of the Jungle.
Posted on 7 December 2018 | 12:00 am
  High Line group taps Waller Creek for
High Line group taps Waller Creek for exclusive show  Curbed AustinAustin artists will be part of touring High Line Network exhibit.
Posted on 6 December 2018 | 12:00 am
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Source: Newsvine
Peter Mullan
  High Line group taps Waller Creek for
High Line group taps Waller Creek for exclusive show  Curbed AustinAustin artists will be part of touring High Line Network exhibit.
Posted on 6 December 2018 | 12:00 am
  More affordable art spaces becoming
More affordable art spaces becoming available in Austin  Charlotte ObserverThese days, Austin artists and their allies have found increasingly creative ways to land affordable art spaces.
Posted on 5 December 2018 | 12:00 am
  The 50 best TV shows of 2018: 50-3 |
The 50 best TV shows of 2018: 50-3 | Television & radio  The GuardianThe water cooler hit of the decade joins a brilliant legal drama, true crime, dark comedy and more in our countdown. More to come on Wednesday.
Posted on 4 December 2018 | 12:00 am
  Mowgli: Freida Pinto Reveals Why She Called
Mowgli: Freida Pinto Reveals Why She Called And Asked For A Role In The Netflix Film  NDTV News"It was not the other way round where I got the offer. I kind of called them to make the offer," said Freida Pinto.
Posted on 3 December 2018 | 12:00 am
  'Westworld': Lisa Joy Takes Fans Inside 'The
'Westworld': Lisa Joy Takes Fans Inside 'The Door' in DVD Never-Before-Seen Bonus Content (VIDEO)  TVInsiderThe second season of HBO's sci-fi hit series, Westworld, will soon be available on DVD, Blu-Ray, and 4K Ultra HD. Warner Bros. Home Entertainment has ...
Posted on 3 December 2018 | 12:00 am
Source: Twitter
Peter Mullan
  juss_almeida: Btw, I watched
juss_almeida: Btw, I watched "Tyrannosaur". And it's heartbreaking, painful to watch even, but a very good film, indeed. Peter Mu… https://t.co/SmvuKy3H04
Posted on 18 December 2018 | 3:02 pm
  LorIrvine: RT @PeterArnottGlas: @LorIrvine
LorIrvine: RT @PeterArnottGlas: @LorIrvine @TimNunn @paulmac708 Peter Mullan was Mother Superior in T 1
Posted on 18 December 2018 | 3:02 pm
  famesproject: RT @movies_uk_com: Gerard
famesproject: RT @movies_uk_com: Gerard Butler, Peter Mullan, and C%!nor Swindells are backed by a superb cast in Kristoffer Nyholm's psychological thril…
Posted on 18 December 2018 | 3:02 pm
  PeterArnottGlas: @LorIrvine @TimNunn
PeterArnottGlas: @LorIrvine @TimNunn @paulmac708 Peter Mullan was Mother Superior in T 1
Posted on 18 December 2018 | 3:02 pm
  Hussain_Juve: @pippo_inzaghi09 @adrimaduro
Hussain_Juve: @pippo_inzaghi09 @adrimaduro I’d say he looks more like Peter Mullan https://t.co/5CM2opoDMp
Posted on 18 December 2018 | 3:02 pm
Source: Answers
Peter Mullan
  Resolved Question: Whats the movie where a
and one of the characters who die is afraid of the dark
Posted on 24 September 2016 | 2:32 pm
  Resolved Question: Is the movie The
The severe living conditions in Catholic Church-run laundries in 1964 Ireland are sensationalized to the point of caricature in writer-director Peter Mullan's problematic melodrama "The Magdalene Sisters" (Miramax). The fact that the austere Magdalene asylums existed is undeniable. Undoubtedly, a number of young women sent there by their parents or guardians were treated cruelly. However, Mullan puts forth an oversimplified, worst-case scenario in which every nun is a monster and the only priest connected with the laundry has forced a simple young woman confined there to yield to his sexual demands. An audience has a right to wonder whether the film is attempting to throw light on a painful, little-known situation or merely genuflecting at the altar of sensationalism while exploiting others' suffering. The film centers on four young women who were sent off to perform manual labor in facilities known as the "Magdalene laundries" in order to be spiritually rehabilitated for their alleged sins of the flesh. Mullan's narrative presents them as physically and verbally abused by the nuns in charge of the laundry as if the four actually existed. However, these characters are fictitious, made up from composites of stories Mullan heard from those who lived in the workhouses -- a fact muddied by the coda that appears at the end of the film explaining "what became of" each of the characters. As such, the movie's treatment of events exploits the facts to make it less a story of the four than a film aimed at positioning the church as one-dimensionally wicked. The nuns pictured are so uniformly sadistic and hypocritical that they make the infamous Nurse Ratched in "One Flew Over the Cuckoo's Nest" seem like Mother Teresa. Unlike what follows, the film's opening scene is well-crafted. Using scant dialogue, it cinematically depicts young Margaret (Anne-Marie Duff) being lured upstairs during a wedding reception by her cousin, who then rapes her and proceeds to pin the blame on her. The next day her scornful parents turn her over to a priest who delivers her to a Magdalene laundry workhouse at the same time that orphaned flirt Bernadette (Nora-Jane Noone) and unwed mother Rose (Dorothy Duffy) arrive. This is the set-up. But beyond it, caricature trumps character. In place of narrative, the film unreels one horror after another on the four young women in lurid, episodic fashion: brutal beatings and malicious mind games by the nuns, including a group shower-room scene involving extended full frontal nudity and taunting insults aimed at dehumanizing their humiliated charges. The nuns, presented as consistently evil, money-grubbing, merciless hags, have no emotional depth. They are as exaggerated in their sadism as Ingrid Bergman is in celestial benevolence in "The Bells of St. Mary's" -- the film Sister Bridget sheds a crocodile tear over at a Christmas screening. Not one ounce of human kindness -- not to mention Christian compassion -- can be found under any wimple or collar. This painting with broad brush strokes is better suited for the propagandist than the dramatist. Regrettably, drama is jettisoned along with objectivity since this kind of stacking the deck drains the narrative of any inner tension. The result is a cavalcade of cartoonish vignettes which present to viewers about as nuanced a picture of Irish nuns as 1915's "The Birth of a Nation" did of African-Americans. This pervasive shallowness extends to the girls themselves. Despite overall strong performances, they serve as little more than props, punching bags for the sinister nuns to vent their fury. While some blame is attached to parents who so readily banished daughters in difficulty to the harsh conditions of these laundries, any attempt to understand the forces that shaped these institutions, which had much to do with the distinct religious and cultural milieu of the time and place in which they flourished, is rejected. The righteous indignation felt for the girls, while justified by the suffering they endured, is wrung out of the audience through cheap, kick-the-puppy melodrama where the audience is manipulated to cheer when the nuns get a taste of their own medicine. It's distressing that any Irish women had to endure the deplorable conditions of these workhouses. But the film never attempts to move beyond shrill finger-pointing toward any meaningful insights. In place of a sensitive examination of abuse of religious power, Mullan's simplistic approach
Posted on 2 February 2013 | 6:48 am
  Resolved Question: Is the movie The
The severe living conditions in Catholic Church-run laundries in 1964 Ireland are sensationalized to the point of caricature in writer-director Peter Mullan's problematic melodrama "The Magdalene Sisters" (Miramax). The fact that the austere Magdalene asylums existed is undeniable. Undoubtedly, a number of young women sent there by their parents or guardians were treated cruelly. However, Mullan puts forth an oversimplified, worst-case scenario in which every nun is a monster and the only priest connected with the laundry has forced a simple young woman confined there to yield to his sexual demands. An audience has a right to wonder whether the film is attempting to throw light on a painful, little-known situation or merely genuflecting at the altar of sensationalism while exploiting others' suffering. The film centers on four young women who were sent off to perform manual labor in facilities known as the "Magdalene laundries" in order to be spiritually rehabilitated for their alleged sins of the flesh. Mullan's narrative presents them as physically and verbally abused by the nuns in charge of the laundry as if the four actually existed. However, these characters are fictitious, made up from composites of stories Mullan heard from those who lived in the workhouses -- a fact muddied by the coda that appears at the end of the film explaining "what became of" each of the characters. As such, the movie's treatment of events exploits the facts to make it less a story of the four than a film aimed at positioning the church as one-dimensionally wicked. The nuns pictured are so uniformly sadistic and hypocritical that they make the infamous Nurse Ratched in "One Flew Over the Cuckoo's Nest" seem like Mother Teresa. Unlike what follows, the film's opening scene is well-crafted. Using scant dialogue, it cinematically depicts young Margaret (Anne-Marie Duff) being lured upstairs during a wedding reception by her cousin, who then rapes her and proceeds to pin the blame on her. The next day her scornful parents turn her over to a priest who delivers her to a Magdalene laundry workhouse at the same time that orphaned flirt Bernadette (Nora-Jane Noone) and unwed mother Rose (Dorothy Duffy) arrive. This is the set-up. But beyond it, caricature trumps character. In place of narrative, the film unreels one horror after another on the four young women in lurid, episodic fashion: brutal beatings and malicious mind games by the nuns, including a group shower-room scene involving extended full frontal nudity and taunting insults aimed at dehumanizing their humiliated charges. The nuns, presented as consistently evil, money-grubbing, merciless hags, have no emotional depth. They are as exaggerated in their sadism as Ingrid Bergman is in celestial benevolence in "The Bells of St. Mary's" -- the film Sister Bridget sheds a crocodile tear over at a Christmas screening. Not one ounce of human kindness -- not to mention Christian compassion -- can be found under any wimple or collar. This painting with broad brush strokes is better suited for the propagandist than the dramatist. Regrettably, drama is jettisoned along with objectivity since this kind of stacking the deck drains the narrative of any inner tension. The result is a cavalcade of cartoonish vignettes which present to viewers about as nuanced a picture of Irish nuns as 1915's "The Birth of a Nation" did of African-Americans. This pervasive shallowness extends to the girls themselves. Despite overall strong performances, they serve as little more than props, punching bags for the sinister nuns to vent their fury. While some blame is attached to parents who so readily banished daughters in difficulty to the harsh conditions of these laundries, any attempt to understand the forces that shaped these institutions, which had much to do with the distinct religious and cultural milieu of the time and place in which they flourished, is rejected. The righteous indignation felt for the girls, while justified by the suffering they endured, is wrung out of the audience through cheap, kick-the-puppy melodrama where the audience is manipulated to cheer when the nuns get a taste of their own medicine. It's distressing that any Irish women had to endure the deplorable conditions of these workhouses. But the film never attempts to move beyond shrill finger-pointing toward any meaningful insights. In place of a sensitive examination of abuse of religious power, Mullan's simplistic approach
Posted on 2 February 2013 | 6:47 am
  Resolved Question: Who is the actor for Ted
Posted on 5 February 2012 | 3:54 am
  Resolved Question: Question is regarding
What is peter mullan's character explanation of tyrannosaur (which he explains to Hannah in one scene)? Scottish accent is sometimes hard to understand.
Posted on 14 December 2011 | 4:56 pm



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